Original signed painting by Aristi, featured in our Art Gallery. Aristi graduated with BA (Hons) from the University of Bolton (UK) School of Fine Arts and is now attending postgraduate Master studies in Museology at the University of Ulster (Ireland).
Product description
Artist
This is an original work of art by Aristi, featured in our page. Click for more information.
Title of painting
GREEK TEMPLE 2
Media
Oil paste on canvas
Signed
Yes
Dimensions
Metric: 70cm high by 50cm wide Inches: 27.56" high by 19.69" wide
Frame
Unframed, stretched
Shipment
The work will be removed from stretcher, rolled and shipped in a strong carton or plastic tube. Your local framer can easily and inexpensively stretch it for you or have it framed.
Shipping expenses
Free shipment worldwide
Pictures
See the main picture of this painting below. Please if you require larger pictures of the work or of some particular details.
Special offer
The following special offer applies when you buy more than one painting from our ART category:
• Buy two paintings and get a 20% discount on the order total. • Buy three paintings and get a 25% discount on the order total. • Buy four paintings and get a 30% discount on the order total.
For technical reasons, this option cannot be selected with the "Add to Cart" button at the moment. If you are interested, please and we shall make the necessary arrangements and advise you how to proceed.
Additional information
Greek temples were structures built to house deity statues within Greek sanctuaries in Greek paganism. The temples themselves did usually not directly serve a cult purpose, since the sacrifices and rituals dedicated to the respective deity took place outside them. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture.
Greek temples were designed and constructed according to set rules, mostly determined by the lower diameter of the columns or by the dimensions of the foundation levels. The nearly mathematical strictness of the basic designs thus reached was lightened by optical refinements. In spite of the still widespread idealised image, Greek temples were painted, so that bright reds and blues contrasted with the white of the building stones or of stucco. The more elaborate temples were equipped with very rich figural decoration in the form of reliefs and pedimental sculpture. The construction of temples was usually organised and financed by cities or by the administrations of sanctuaries. Private individuals, especially Hellenistic rulers, could also sponsor such buildings. In the late Hellenistic period, their decreasing financial wealth, along with the progressive incorporation of the Greek world within the Roman State, led to the end of Greek temple construction. New temples now belonged to the tradition of Roman architecture, which, in spite of the Greek influence on it, aimed for different goals and followed different aesthetic principles.